The work is not an attempt to recreate natural objects, but instead is interested in the behavior of nature, the repetitive emergence that occurs. In this the work builds upon itself, where my thumb prints become both texture and a record of the individual acting upon the material's malleability and spontaneity, where the work becomes a recording device of the processes surrounding it, capturing what Jospeh Needham (1985) designates as, "organic pattern". The work forms through repetitive motion and start with a reference to  traditional ceramic vessels, yet the clay dictates, through its own nature and chance, the sculpture's final form.